MrRay73 Mark II is a MP3 & Audio software developed by GSi Genuine Soundware and Instruments. After our trial and test, the software is proved to be official, secure and free. Here is the official description for MrRay73 Mark II: Brothersoft Editor: MrRay73 II is the second version of MrRay73, after two years from its introduction to the public, but with a huge difference in sound and functionality. While the old MrRay73 was one of the first successfull simulations of such an instrument, capable of offering vitality, warmth and richness of the real thing, the new 'Mark II' version brings many new improvements, first of all for what concerns 'THE SOUND'.
As opposite to sample libraries, a real-time reproduction of a certain sound has the ability to interact with the musician, producing different behaviours from time to time. Hardly you will hear exactly the same 'waveform' twice.
MrRay73 Mark II is a complete digital reproduction of the real instrument, with all the moving parts that, together, generate to the sound. Summary of the main features: Full Polyphony (73 notes E - E) No note-stealing Adjustable single sound elements (metal, wood, pedal and damper noises) Sympathetic and harp vibration Sustain pedal re-pedaling feature Six-stage vintage style effect Dual mode Tremolo effect Power amp simulation (Suitcase model) Adjustable wear of mallets and other elements (Piano Age) Stretch tuning or Equal Temperament Four velocity curves plus an adjustable 'Dynamic range' level Fully Midi controllable with MIDI-Learn function Very Low CPU and.
Price: € 50.00 MrRay73 Mark II v. 2.0.3 This plugin is 32 bits only, it's not compatible with Logic X and might show some incompatibility with OSX from 10.9 and newer. Chipset intel 865g windows 7 driver. This plugin is not compatible with Pro Tools and is not guaranteed to work with 3rd party plugin format adapters. Known issue: may crash Logic 9 or Ableton Live on Mac OSX 64 bits.
Please test the free demo version! Instrument Description MrRay73 Mark II is a digital simulation of the famous american electro-mechanical piano of the seventies, invented during World War II by a music teacher, Harold B.
Rhodes (1910 - 2000), and widely used in almost all musical genres ranging from soul/black music to jazz, blues, modern and pop. This instrument has rapidly become a legend, and is still used today, altough samples have replaced the real thing so that very often music producers use huge sample libraries or hardware keyboards / workstations to achieve this kind of sonority, and often the result is a cold and 'dead' sound, with no vitality, no warmth, nothing that even compares to the unpredictability and genuineness of the real thing.
In 2007 an enterprising and far-seeing american businessman has started a new Company with the aim to re-manufacture the piano using the same recipe of the old factory, employing the same ingredients and offering the same 'taste' of the vintage instrument. The new 'Mark 7' piano was presented at the NAMM show and it was a big success.
It's on the market again, after about 20 years, with the same name, same 'soul' but largely improved under many important technical aspects. In a similar manner, MrRay73 Mark II is the second version of, after two years from its introduction to the public, but with a huge difference in sound and functionality. While the old MrRay73 was one of the first successfull simulations of such an instrument, capable of offering similar vitality, warmth and richness of the real thing, the new 'Mark II' version brings many new improvements, first of all for what concerns 'THE SOUND'.
As opposite to sample libraries, a real-time reproduction of a certain sound has the ability to interact with the musician, producing different behaviours from time to time. Hardly you will hear exactly the same 'waveform' twice. MrRay73 Mark II is a complete digital reproduction of the real instrument, with all the moving parts that, together, generate to the sound.
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A Rhodes Mark I played on a (overdriven). Problems playing this file? The Rhodes piano features a keyboard with a similar layout to a traditional acoustic piano, but some models contain 73 keys instead of 88.
The touch and action of the keyboard is designed to be as close to a piano as possible. Pressing a key results in a hammer striking a thin metal rod called a tine connected to a larger 'tone bar'. The whole 'tone generator assembly' acts as a, the tone bar reinforcing and extending the vibrations of the tine. A sits opposite the tine, picking up its vibrations and inducing an in a similar manner to an electric guitar. The basic mechanical act of hitting tines does not need an external, and a Rhodes will make sound even when not plugged into an, though like an unplugged electric guitar the sound will be weak.
The Suitcase model Rhodes includes a built-in power amplifier and a feature that bounces the output signal from the piano in stereo across two speakers. This feature is mistakenly labeled ' (which is a variation in pitch) on some models to be consistent with the labelling on. Although the Rhodes has the same mechanical operation as a piano, its sound is very different. The sound produced by the tines has a mellower timbre, but varies depending on the location of the tine relative to the pickup. Putting the two close together gives a characteristic 'bell' sound.
The instrument's sound has been frequently compared with the, which uses a similar technology, but with the hammers striking metal reeds. The Rhodes has a better sustain, while the Wurlitzer produces significant when the keys are played hard, giving it a 'bite' the Rhodes does not have. History Early models.
An early version of the Rhodes piano, used for teaching Rhodes started teaching piano when he was 19. He dropped out of studying at the in 1929 to support his family through the by full-time teaching. As a teacher, he designed a method that combined and, which became popular across the United States, and resulted in an hour-long nationally syndicated radio show. Rhodes continued to teach the piano through his lifetime, and the piano method continues to be taught today by a team led by Joseph Brandsetter. By 1942, Rhodes was working for the, where he was asked to devise a teaching program to provide therapy for soldiers recovering from combat in hospital. He was unable to supply enough acoustic pianos, so decided to develop a miniature electric model that could be made from surplus army parts. Rhodes won a service award for his piano design and subsequently put the model into production for piano teachers during the 1950s.
These were retrospectively known as the 'Pre-Piano'. In 1959, Rhodes entered a joint venture with to manufacture the instruments. Fender, however, disliked the higher tones of the pre-piano, and decided to manufacture a using the bottom 32 notes, known as the 'Piano Bass'. The instrument introduced the design that would become common to subsequent Rhodes pianos, with the same body as Fender amplifiers and a top. The tops came from a boat manufacturer who supplied whatever color happened to be available; consequently a number of different colored piano basses went into production. Under CBS. A 1960s 73-note Fender Rhodes Electric Piano Fender was bought by in 1965.
Rhodes stayed with the company, and released the first Fender Rhodes piano, a 73 note model. The instrument consisted of two components — the piano and a separate enclosure containing the power amplifier and loudspeaker, which was placed underneath the former. Like the piano bass, it was finished in black tolex, and came with a fiberglass top.
During the late 1960s, two models of the Fender Rhodes Celeste also became available, which used the top three or four octaves, respectively, of the Fender Rhodes piano. The Celeste did not sell particularly well and examples are now hard to find. The Student and Instructor models were also introduced in the late 1960s.
They were designed to teach the piano in the classroom. By connecting the output of a network of student models, the teacher could listen to each student in isolation on the instructor model, and send an audio to them. This allowed the teacher to monitor individual students' progress. In 1970, the 73-note Stage Piano was introduced as a lighter and more portable alternative to the existing two-piece style, featuring four detachable legs (used in Fender steel pedal guitars), a sustain pedal and a single output jack. Although the Stage could be used with any amplifier, catalogs suggested the use of the. The older style piano continued to be sold alongside the Stage and was renamed the Suitcase Piano, with 88 note models also becoming available. Later models.
The Rhodes Mk V was the last model to be released by the original Rhodes corporation During the 1970s various internal changes and improvements were made to the mechanics. In 1969 the hammer tips were changed to neoprene rubber instead of felt, to avoid the excessive need for regular maintenance, while in 1975 harp supports were changed from wood to aluminum.
Although this made production cheaper, it changed the resonance of the instrument slightly. In 1977 the power amplifier design was changed from an 80 to a 100-watt model. The Mk II model was introduced in late 1979, which was simply a set of cosmetic changes over the most recent Mk I models. A new 54-note model was added to the range. The Rhodes Mk III EK-10 was a combination electric piano and instrument, introduced in 1980 before CBS bought in 1981. It used analog oscillators and filters alongside the existing electromechanical elements.
The overall effect was that of a Rhodes piano and a synthesizer being played simultaneously. The instrument was unreliable with a problematic production, particularly when a shipment of 150 units to Japan caused interference with local television reception. Compared to the new polyphonic synthesizers being marketed at the same time, it was limited in scope and sound, and very few units were sold. The final Rhodes produced by the original company was the Mk V in 1984. Among other improvements, it had a lighter plastic body and an improved action that varied the dynamics with each note. The Mark V is the easiest of the original Rhodes pianos for touring musicians to transport to gigs. One of the key problems with production of Rhodes pianos under the original company was the desire to mass-produce the instrument, which caused a variation in quality.
Collectors are advised to take care when buying a second-hand instrument. After CBS In 1983, Rhodes was sold to CBS boss William Schultz, who closed down the main factory in 1985 and subsequently sold the business to in 1987. Roland manufactured under the Rhodes name, but Harold Rhodes disapproved of the instruments, which were made without his consultation or endorsement. The Rhodes Mark 7 was released in 2007 Rhodes subsequently re-acquired the rights to the instrument in 1997. However, by this time he was in ill health and died in December 2000.
In 2007, a re-formed Rhodes Music Corporation introduced a reproduction of the original electric piano, called the Rhodes Mark 7. This was a version of the Rhodes housed in a molded plastic enclosure. Dyno My Piano During the late 1970s and 1980s, Chuck Monte manufactured an after-market modification to the Rhodes, known as 'Dyno My Piano'. It included a lever that moved the relative position of the tines to the pickups, modifying the sound, and fed the output signal through additional electronics. This sound was emulated by the with a patch (known as the ) that was popular during the 1980s, and caused several players to abandon the Rhodes in favor of the DX7. Notable users.
Performing live with in 1968 using a Rhodes Piano Bass ' began using Rhodes instruments when the band was formed in 1965. He played bass parts on a Piano Bass with his left hand, while playing organ with his right. He also played a full-size Rhodes on later studio recordings, such as '. Manzarek later said, 'If Mr. Rhodes hadn’t created the keyboard bass, the Doors would never have existed.' The Rhodes piano became a popular instrument in in the late 1960s, particularly for several sidemen who played with. First encountered the instrument in 1968 while booked for a session with Davis.
He immediately became an enthusiast, noting that the amplification allowed him to be heard much more easily in groups when compared to the piano. Hancock continued to experiment with the Rhodes over the next few years, including playing it through a. Another former Davis sideman, started using the Rhodes prominently during the 1970s, as did founder.
From 1969's and onwards, the Rhodes became the most prominent keyboard on Davis's recordings until the mid-1970s. Started using a Rhodes in 1968, and toured with both a piano and a Rhodes.
He achieved particular prominence with his soundtrack music for and other / films. Has been described as 'The Ruler of the Rhodes' by Music Radar magazine, and played one during in 1969, and on the group's hit single '. Many of 's recordings from the 1970s feature him playing the Rhodes, often alongside the. Regularly used the Rhodes.
His hit single, ', which receives seasonal radio play on African American stations, makes a prominent use of the instrument. Although better known for playing the Wurlitzer, played a Rhodes on his performance of ' in the film. Of has regularly used the Rhodes throughout the band's career.
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He has also used the Rhodes in all of his solo albums and continues to play it at every one of his touring performances since 1994. The instrument features in 'Angela', the 1978 instrumental theme from the sitcom.
The French band make regular use of the Rhodes piano in their recordings. See also. References. Retrieved January 30, 2014. Reid, Gordon (December 2012). Retrieved January 30, 2014.
^ Pareles, Jon (January 4, 2001). The New York Times. Retrieved November 6, 2013.
Rhodes Piano Method. Retrieved November 5, 2013. Rhodes Music Corporation. Day, Paul (1979). The Burns Book. Pp Publishing. Yorn, Pete (October 3, 2010).
Retrieved January 30, 2014. ^, p. 266-67. Electronic Musician. Polyphony Publishing Company.
Chicago Electric Piano Company. Retrieved January 30, 2014. Chicago Electric Piano Company. Retrieved January 30, 2014.
Retrieved January 30, 2014. The Hammond Hire Company.
Retrieved January 30, 2014. Retrieved January 30, 2014. Gearwire.com, January 8, 2007. Archived from on September 28, 2011. Verderosa, Tony (2002).
The Techno Primer: The Essential Reference for Loop-based Music Styles. Hal Leonard Corporation. Moss, Corey (January 4, 2001). Retrieved July 20, 2016. Fellezs, Kevin (2011). Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion. Duke University Press.
Adler, David (July 22, 2001). The New York Times. Retrieved May 22, 2010. Gluck, Bob (2012). University of Chicago Press.
Bang, Derrick (2012). Vince Guaraldi at the Piano. Solida, Scot (July 27, 2011). Retrieved January 30, 2014. The Blues Brothers (DVD). Event occurs at 1:06:42.
Breithaupt, Don (2007). Steely Dan's Aja 33 1/3.
Retrieved March 29, 2017. Franck Ernould (September 2011). Sound On Sound. Retrieved October 5, 2011.
Bogdanov, Vladimir; Woodstra, Chris; Erlewine, Stephen Thomas (2002). All Music Guide to Jazz: The Definitive Guide to Jazz Music. Backbeat Books.
Brice, Richard (2001). Music Engineering. Gibson, Bill (1997). The AudioPro Home Recording Course: A Comprehensive Multimedia Audio Recording Text, Volume 2. Cengage Learning. Baerman, Noah (2003).
The Big Book of Jazz Piano Improvisation: Tools and Inspiration for Creative Soloing. Alfred Music Publishing. Price, Emmett George (2010). Encyclopedia of African American Music, Volume 3. Shepherd, John (2003). Continuum Encyclopedia of Popular Music of the World: VolumeII: Performance and Production, Volume 11.
Vail, Mark (2000). Vintage Synthesizers: Pioneering Designers, Groundbreaking Instruments, Collecting Tips, Mutants of Technology. Backbeat Books. External links Wikimedia Commons has media related to. Wikimedia Commons has media related to. – Company that manufactured a late version of the Rhodes for a while.
– Information site, founded by Harold Rhodes in 1996, including history and technical information on all models up to 1984. – demonstration of the Rhodes Mk 7.
Mr Ray 73 Mkii Serial Number Lookup
SPECIAL: Now while supplies last, get GSI's free with any purchase over $99 made from. MrRay73 Mark II is a digital simulation of the famous american electro-mechanical piano of the seventies, invented during World War II by a music teacher, Harold B. Rhodes (1910 - 2000), and widely used in almost all musical genres ranging from soul/black music to jazz, blues, modern and pop.
Mr Ray 73 Mkii Serial Numbers
After purchasing all you have to do is send us an email with your serial number and instructions on how to get a full working version of MRRay will be sent to you. Posts: 2582 Joined: Tue Feb 11, 2003 12:50 pm Location: Massachusetts.